Is underwater photography difficult? Actually, no—at least, not to any significant degree when compared with any other discipline of photography. Each single stage of creating an underwater photograph, if seen in isolation from the rest, is not so tricky. It is the sum of all its parts, as well as mastering the whole, which can appear confusing at times.
It’s an adventure. You swim like a champion, trying to be as streamlined as possible and glide effortlessly through the water. Your heart rate is already at its limits and your breathing borders on hyperventilation. Your focus is on the sperm whale and its blow, which you can see just as you slide into the water. You are hoping to get the animal in front of your camera, but it is a bit of gamble.
“What do you have to do?” It is the first question asked by most people when it comes to underwater modeling. As an underwater model, my answer is always the same: “I have to blend myself with the underwater environment to further enhance its beauty.”
Online Seminars for Underwater Photographers.
Creating photos in this digital age requires postproduction computer work to get the most out of your images. In days of old, post processing meant time in the darkroom developing film and then perhaps hours spent massaging the final print under an enlarger. The techniques may have changed but the concept is the same. The real question is where do you start?
Ask any photographer the one thing they would like to improve in their underwater images and most will likely say, “The lighting.” Lighting in photography is everything and shooting underwater often requires the photographer to read the ambient light and to create durable images on the fly.
In this article, the final one in the series, I will explain my personal experience with wide-angle underwater photography using the Olympus OM-D EM-5 camera.
Fluorescence night dives, or fluoro, UV and glow dives, as they are also known, are becoming increasingly popular as more and more dive centres offer scuba divers and underwater photographers the chance to experience this unique underwater phenomenon.
So… you have your new photo equipment. Cool... now what? Should we just jump in the water with it?
The contest features both macro and wide-angle categories for compact and SLR (interchangeable lens) users.
MyShot is an online underwater photo competition. Photographers can submit their images until the 31 October 2013 deadline and the registration is free. The jury will decide the winners of the categories and there’ll be a public vote as well for a selection of 100 pictures (25 each category). A final party will close the contest.
The apparently contradictory choice of adding teleconverters to fish-eye lenses to obtain arresting “wide-macro” images has long been adopted by many rainforest and insect specialists—notably Frans Lanting, the grand master of them all—while several Japanese authors have pioneered its use in underwater photography since the last decade.
